The Art of Painting (II)

The Art of Painting, also known as The Allegory of Painting, or Painter in his Studio, is a famous 17th century oil on canvas painting by Vermeer. Many experts in art believe that this work of art is an allegory of painting, and hence the alternate title of the painting. The Art of Painting, moreover, is the largest and more complex of all of Vermeer’s works. In it we find an intimate scene of a painter painting a female subject in his studio, by a window, with the background of a large map. This is one of Vermeer’s favourite paintings, but it is also a fine example of the optical style of painting. In the painting we find bright colours, but also the impact of light streaming through the windows on various elements of the painting. The painting has only two characters: the painter and his subject, a woman. The painter, for example, is thought to be a self-portrait of Vermeer, but the face is not visible. The map of the back is a map of the Netherlands, and is a map published by Claes Jansz Visscher in 1636.

Cite the site: The Art of Painting. (2009, May 28). In Wikipedia, The Free Encyclopedia. Retrieved 17:24, May 28, 2009, from http://en.wikipedia.org/w/index.php?title=The_Art_of_Painting&oldid=292918602

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